Tube Condenser Mics:

MK47 (dual tube Neumann U47 clone with Thiersch M7 Capsule)

Groove Tubes MD-1A


Solid State Condenser Mics:

2x AKG C414 XLS*

Audio Technica AT 4033

Electrovoice Cardinal

Shure SM81

Shure KSM 141

Shure Beta 98

2x Octava MK 219 (modded)

4x Octava MK 012 (modded) (4 cardiod, 2 omni capsules)

2x Rode NT5

2x KEL HM-1


StudioProjects C1

Beheringer ECM8000 omni

2x Marantz Superscope omni

Realistic PZM


Ribbon Mics:

2x Royer R-121


Dynamic Mics:

Telefunken M81

Shure SM7b*

Shure SM58

5x Shure SM57

Heil PR-40

2x Sennheiser 421

Sennheiser 602

Sennheiser 609

AKG D112

2x Electrovoice 631A

Audix i5

NS10 subkick



Vintech X73

Focusrite ISA220

2x Shadow Hills MONO GAMA

2x Classic API VP26

2x A Designs P-1a*

Universal Audio 2-610

Gyraf G9 Dual Channel Tube Pre

2x Yamaha PM1000 discrete pres and eqs

Lindell PEX-500*



2x 1176 Revision D

CBS Volumax 400 (1960's broadcast limiter)

DBX 160X

DBX 160 XT

DBX 119 with Burr Brown mod

Gyraf GSSL (stereo clone of the SSL G series mixbus comp)

ART Pro VLA (modified i/o skirt)


Drawmer MX30

FMR Really Nice Leveling Amp


Alesis 3630

Alesis Microlimiter

Drawmer DS201

Lindell 7X-500*


VERB, ETC. . . 

Mono reverb chamber

Tubeworks Real Tube Reverb (Spring)

Fostex Spring Reverb

Digitech Time Machine

Effectron ADM 256

Aphex Level Matching Interface

Alesis Midiverb

Radial Phase Q



Vox AC30 w/ Alnico Blues

Fender ’65 Twin Reverb (Reissue)

60's Blackface Fender Bassman

Tone King Continental

Traynor YBA1 (late 60’s/early 70’s)

Acoustic 220 Bass Head



Mid 60’s horizontal style Fender 2x12 cab w/ Weber Alnico Speakers

Mid 60’s vertical style Fender 2x12 cab w/ blown Celestions

Bergantino HT310 3x10" Bass Cab (Unpowered)

Ampeg SVT-210AV Micro Bass Cab

Multiple Acoustic Bass Cabs

Traynor 2x15 cab (late 60s/early 70s)

Fender Slanted 2-12 cab

1-12 Cube Cab




60's Vox Phantom 12 string*

Univox Hi-Flier

Ovation Deacon

Schecter 90's strat

Fender Thinline Tele modded with P90’s*

Inter-Mark Cipher 60's Japanese bass



Yamaha Acoustic

60's EKO 12 String (Hi strung with 6 strings)



1930’s Upright Piano (generally in tune, but please let us know if you would like to hire a piano tuner specifically for your session)

Fender Rhodes

Wurlitzer Electric Piano



Korg Mono/Poly

Yamaha DX7

USB Midi Keyboard

Korg Monotron



Pearl Session Series 5 Piece Kit

Kick: 22 x 16

Toms: 16 x 15.5

13 x 11

12 x 9.5

Pearl Steel 6” Snare


Pearl Steve Ferrone 6.5” x 14” Snare (black beauty-ish clone)


Zildjian A Custom 17" Crash

Zildjian A Custom 15" Crash

Zildjian 20" Ping Ride

Zildjian 14” New Beat Hi Hats

Tama Leverglide Swivel HiHat Stand

Pearl Kick Pedal (Newish)

2 boom stands and One arm with clamp



1973 Sound Workshop Series 1600 Mixing Console

Designed and built by API engineers

Uses API output transformers, Beyerdynamic Mic Input Xformers

-20 Channels

-16 Bus

-16 Switchable Parametric EQs / 4 Fully Parametric EQs

-2 Mono, 1 Stereo Aux Sends

-Group VCA faders


MCI 2 Track 1/4" tape machine


Mac Pro Quad 3.33 Ghz

Protools HD Native 10

Avid HD IO 16x16 Analog

Digi 96 IO 

(24 channels of ad/da)



Dangerous Monitor ST

ProAc Studio 100 Monitors

NS10m Monitors

Bryston 3B Power amp

Adcom GFA-555 power amp with Jim Williams' modification

Tannoy TS12 12" 500 Watt Subwoofer


Hear Technologies Hearback Personal Monitor Mixer System

3x Sennheiser HD280 Pro Headphones

1x Audio Technica M20

1x Direct Sound Extreme Isolation Headphones

1x Sony MDR-7506 Headphones

Sony MDR 7509 Headphones

Audio Technica ATH D40 Headphones

1x Single Ear Headphone


Tons and tons of guitar pedals and a few reamps, but more notable are:

Way Huge Aquapuss

Way Huge Swollen Pickle


Hot Cake

Vintage Rat

Orange Sunshine

Electroharmonix POG and Holy Grail

Ibanez AD-9, comp, and chorus

Boss MIJ CS-2



*Please let us know ahead of time if you want this for your session as these are not always in the studio